Hello and welcome to this week's article!
Today, following our article about how to create an album setlist, we are checking out some tips on how to build the most effective live setlist possible for our gig.
1) Lenght: as a first aspect we need to take in consideration the lenght. A 30 minutes setlist requires a different strategy than a 60 or a 90minutes one. For a short one we can push a little bit more on the impact side, if we have only 30 minutes it could be an idea to try to leave a strong impression playing only the most effective song we have. From a 60 minutes up setlist instead we need to start taking into consideration other aspects that we will analyze in the next points: fatigue, attention, dynamics, extra musical performances.
2) Fatigue: we are not robots, so playing a long setlist with high energy songs, especially in genres which are highly demanding in terms of physical performance as extreme metal or hardcore can result (especially for touring bands) in a not sustainable result, in the long run. This means we need to keep in mind that every couple of very fast songs for example the drummer might need a slower one to recover some energy, or the singer might need to start the concert with songs that are not extremely demanding in order to let his voice warm up properly before hitting that high pitch note in that song, or he or she might need a quieter song after a very tiring one to give his (or her) vocal cords some rest.
3) Attention: the attention of the audience is fundamental, and to keep the crowd interested in what is happening on stage should be the main task of the band. Usually the band, when it has some experience, knows more or less which songs are more effective (for example they have a particularly catchy hook or beautiful lyrics), which ones are less direct and maybe are enjoyed more when the listener already knows them from the record, and so on.
The band should choose a setlist that can blend together the songs keeping the crowd interested, considering that if you play a song that is very interesting opr known and that keeps the crowd wanting for more, they will probably be more receptive also in the next one, so you can maybe put after that a new song noone knows so they will focus on it. After the song they didn't know and that has forced the audience to focus in order to assimilate it, we could propose another popular one, or maybe a cover (even better if rearranged in our style) to give them back something familiar and raise again their involvement and attention, so that the crowd will be never bored, as it would for example be if our setlist would start with 5 very famous songs and end with 5 songs noone knows.
4) Dynamics: for a record, also live dynamics are fundamental. Starting with 5 very fast songs and ending with 5 very slow ones would make them completely ineffective as the audience would very easily lose interest this way. To know how to connect and cue together fast songs, mid tempos and slow ones is an art, which roots into being empathically able to connect with the audience mood and proposing a setlist that should predict and adapt as much as possible to what the crowd expects. After two fast songs maybe a third one would be uneffective, so a mid tempo could introduce some variation and increase the attention (consider that also the audience is subject to fatigue), after a slow song we could set the fastest one in order to wake up the crowd after the romantic moment.
The main idea should be to create movement, alternancy of moods and rhythms within the setlist, also to leave the audience an idea of a rich, non monotonous performance.
5) Extra musical performances: if you go to a concert of any headlining, high level band that performs a full setlist (for example 90/120 minutes), you will notice that there is not only music.
Most of the times there will be small breaks here and there in which the singer or other band members can talk to the audience, sending some message, or just some funny interaction while the others take a minute of break. This is a good moment to plug your new album or merchandise, to say a message to encourage, to use some props (Alice Cooper, Kiss and Rammstein are masters in this) or to pretend to leave the stage waiting for the encore, before performing the last part of the setlist.
This will add a different dimension to the performance (obviously it depends on the performer's charisma, so use wisely!).
Hope this was helpful, if you have any other suggestion let us know in the comments!
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