Hello and welcome to this week's article!
Today we are going to talk about a very inexpensive model of headphones that can turn out to be handy for recording: the Behringer HPS5000.
When it comes to music production there is some people who prefer (or cannot use monitors in their bedroom studios) to work with headphones;
for this reason many producers have started offering "studio grade" headphones, with a serie of features that could make them usable also for mixing, although a realistic representation of the final sound is hard to obtain even with the most high end ones.
Among the various producers there are also some like Behringer who rely on the price as main selling point: their products are usually very economic and draws the most money attentive users.
Unfortunately as we know there are some elements in our home studio that can also not be "top tier" without affecting too much the final result, but mixing headphones are not one of those elements.
These headphones are marketed as "mixing level", but the truth is unfortunately different: the reproduction is not reliable for mixing, since they cut out most of the bass frequences and boost the medium-highs, but nevertheless they can turn out to be useful for example when recording a singer, or when sending the click to the drummer.
Construction wise they are not very solid either, with the "plastic-leather" earpieces breaking down quite fast after the purchase.
Our suggestion is to look for other producers, who provides also budget headphones without the poor building quality of these ones, for example Sennheiser.
Specs taken from the website:
Ultra-wide frequency response
High-definition bass and super-transparent highs
High-efficiency cobalt capsule
Single-sided coiled cord with oxygen-free copper wires
Optimized oval-shaped ear cups
3-Year Warranty Program*
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ReplyDeleteThis article offers a candid review of the Behringer HPS5000 Studio Headphones, shedding light on their affordability and intended use for recording rather than mixing. The author's honesty about the limitations, such as unreliable bass reproduction and issues with construction durability, provides valuable insights for potential buyers. The suggestion to explore other producers, specifically mentioning Sennheiser, adds a constructive element, guiding readers toward alternatives with better build quality. The inclusion of specifications from the manufacturer adds a factual basis to the assessment. Overall, a practical and informative review for those considering budget-friendly headphones for specific studio tasks. For more details, visit Sound Engineering Courses in Bangalore