Labels

BASS (42) COMPRESSION (28) DRUMS (39) EFFECTS (41) EQUALIZATION (24) GUITAR (91) HOME RECORDING (65) INTERVIEWS (18) LIVE (9) MASTERING (43) MIDI (16) MIXING (139) REVIEWS (85) SAMPLES (23) SONGWRITING (11) VOCALS (24)

Saturday, August 19, 2017

Harley Benton SG Kit Building Diary 1/3



Hello and welcome to this week's article! 
Today and for the next 2 weeks I want to share with you a diary of the building of my Harley Benton Sg kit, a chinese guitar kit sold by Thomann, the biggest music dealer in Europe.

Why did I decide to buy a kit? 
Obviously not to have the best sounding instrument in the world, I just wanted to know more in depth the process of building and setting up a guitar, and to have fun with the finishes, the painting, and so on. This kit is a great antistress hobby and very useful for didactic purposes. Plus it turned out to be very playable too (although I have read mixed reviews on the web, some people have been less lucky than me with their kit)!

For the first phase I have made treasure of the tips of the luthier Luigi Valenti of Valenti guitars (check out his products, they're awesome): since the guitar body was already covered by a layer of wood sealer, I had to sandpaper it off, with a thick grain paper (200 to 320). 


I have eliminated most of the coat and risen the grain, so that the wood is now receptive to the dye.
Then I have applied to the wood (a very light basswood with a copper-ish colour a first coat of purple wood dye, using rubber gloves and a piece of cloth. 
In the following photos you will see me applying 6 layers of purple dye, leaving the paint to dry for 24 hours between one layer and the other.




Before each new layer of dye I have sandpaper the whole guitar with a thinner grain sandpaper (800 to 1200), to even out the wood and to make the veins of the wood pop out more.
After a while I have started focusing my sandpapering a bit more towards the center of the body, in order to create a lighter area that will be the core of my "raspberry burst" attempt.


Then I have started painting the central part of the body with a pink dye, instead of the purple one, in order to create some contrast (which is the core of the raspberry burst, even if the type of dye and the reddish wood below created something that is much closer to a cherry colour than my initial idea).




After about 5 layers of color and 5 sandpaperings, I have started applying a layer of tru-oil.
Tru Oil is a type of protective oil made for wood, and it is often used for the wooden part of guns, to make them smooth, shiny and protected. It is one of the best and easiest ways to preserve the natural look of the wood.


I have applied on the guitar six layers of tru oil, sandpapering with a 1200 grain between each layer and waiting 24 hours between each application (you can see in the following pictures one photo after each layer of tru oil). 







After the sixth and last layer of tru oil the body was ready to be assembled with the rest, and in the next weeks I will explain everything in detail.

CLICK HERE TO READ PART 2/3

CLICK HERE TO READ PART 3/3



Become fan of this blog on Facebook! Share it and contact us to collaborate!!

No comments:

Post a Comment

LinkWithin

Related Posts Plugin for WordPress, Blogger...