Saturday, January 28, 2017
GNB top 10 humbucking pickups for rock/metal
Hello everyone and welcome to this week's article!
Today I would like to share with you my top 10 humbucking pickups for guitar, among all the pickups I have ever tried.
The characteristics I take in consideration are several: the pickup needs to have a good signal to noise ratio, which means that the sound must be clear and with as little hum as possible also at high gain, it must have a good mid range capable of cut through a mix without needing to intervene excessively with post-eq, and it must have enough gain to let us obtain a sound distorted enough also with the most common amplifiers that can be found in a rehearsal room, without forcing us to bring a booster.
In this top 10 I list, without any particular order, neck and bridge pickups, active and passive ones, and I suggest you to take this as a starting point to check out if you decide to improve the sound of your guitar.
Seymour Duncan Distortion: This passive bridge pickup sets itself in the middle, among the range of the high gain Seymour Duncan passive pickups. The characteristics are a very musical mid range, a good amount of gain, and a very tight bass response. It is very easy to find a good tone with this pickup, and to mix it in a band context. It is a pickup that can be heard in many videos of Ola Englund.
DiMarzio Crunch lab: A very well balanced passive bridge pickup, designed by Dream Theater's guitartis John Petrucci. This pickup has the characteristic of having a powerful, tight and mid rangey tone, with strong low-mids and that sounds very mix-ready.
Gibson 498T: also called "Hot alnico", this bridge pickup is a Gibson Les Paul trademark. It is a high gain pickup, with a squeaky high-mid range that marries perfectly with the bassy heavy mahogany body of a Les Paul, giving as a result an incredibly full and warm sound, with a beautiful bluesy-classic rock mid range that allows us to play succesfully almost any kind of music, from blues/jazz to Guns n'Roses to punk, from rockabilly to thrash metal. With high gain levels tends to be a bit noisy, but its tone is legendary.
Emg 85 / 707: This pickup is born as a neck companion (in the Emg Zakk Wylde set) of the Emg 81, but I actually prefer it in the bridge position (and the 707 is basically a 7 strings version of the 85): it has less bass frequencies of the 81, a little less output and less highs, the tone is more mid range oriented and probably it is the active pickup with the most "mix ready" tone, in my opinion. The sound is clear, the mids are very pleasant and it is very aggressive when needed, but without providing useless highs and lows. An example of this pickup can be heard in many Fear Factory songs.
Emg 57: this active bridge pickup is part (together with the 66) of the new James Hetfield set, and it basically takes the old Emg81 and gives it a more vintage twist, resulting in a much more "usable" tone, with a little less output and a much more prominent and euphonic mid range. The result is a pickup that beats the predecessor in every possible way, and that is a good candidate as the best active pickup in the market today.
Emg 66: the neck counterpart of the Emg 57, the 66 is an active pickup that provides a very pleasant clean tone, bright and warm thanks to the Alnico V magnet. The sound is slighly brighter than the previous model, the Emg60, and capable of cutting better through the mix, adapting well to effects as well as to solos. Here is a Devin Townsend demo.
Seymour Duncan '59: quite possibly the best passive neck pickup I have ever tried, practically a must have. The sound is very dynamic, it responds beautifully to the touch, and it is amazing also when using a high gain amp and lowering the guitar volume until it gets clean: you obtain a warm, slighly overdriven tone that is creamy and a real delight to play. Great when used in conjuction with its bridge best counterpart, the Seymour Duncan JB, an amazing hard rock pickup, this pickup is great also for playing solos.
Seymour Duncan Blackout: An evolution of the already cited Emg 707 created by Dino Cazares of Fear Factory, but this time produced by Seymour Duncan. There are several versions of this active bridge pickup: the original one is designed by Dino Cazares, another one is tweaked by the guitarist of Slipknot and it is called Blackout Metal, and a third one is signed by Jeff Loomis. The version that I suggest is the original one, AHB1, which is a little less extreme than the other two. The sound is similar to the Emg 707, but with more bass content and slighly more output. This is the pickup that I am using in the bridge of my main guitar from several years now.
DiMarzio D-Sonic: A passive bridge pickup with a very strong low mid range and a lot of bite, used often in hard rock and nu-metal. It has the particolarity that one of the two coils is not divided in poles, it is one single magnetic strip that gives the pickup specific tonal qualities (the producer claims that this way the sound is brighter and more defined). It can be heard for example in the song Don't Stay by Linkin Park.
Bare knuckle Painkiller: Bare knuckle is an english producer that offers high level passive pickups, and they are considered to be extremely good, especially in the metal guitar community. Among the various models, I have chosen this ceramic bridge one because of the clarity that it retains also in extreme environments, such as a Fleshgod Apocalypse song.
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